Hercules
On Normandie
Mary
E. Montoro, Socal.com Writer
(from
Southern California Neighborhood Guide and
More)
According
to Roman mythology, Hercules was a strong
man with incredible powers. Since then, he’s
been portrayed on television with varying
degrees of success. Think of the mid 90s show
Hercules: The Legendary Journeys , and some
shouldn’t have even tried, like governor
Arnold Schwarzenegger in the painfully dumb,
Hercules in New York in the 1970s.
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Writers
James Eric and Mark Kemble have taken
the myth of Hercules, placed him in
a contemporary setting and added magical
realism with music. Together they created
Hercules on Normandie , a play that
focuses both on the hero and the effect
he has on his family.
Death
row inmate Charles ‘Hercules’
Johnson ( Daryl Keith Roach ) has a
spiritual awakening on death row and
is guided by the duplicitous Angelo
( Gabe Dell Jr.) the angel. Angelo,
who dresses like a hit man from the
movie Goodfellas, has his own ulterior
motives for helping Hercules. |
It
all begins when three young adults disturb
a Good Friday night service at a church after
bombing a military recruiting office. Miguel
Alfaro ( Eduardo Enrikez ) is the ringleader
and disillusioned soldier who fought in Iraq
and has deep issues about the war. His partners
in crime are James Rice ( In-Q ) a self-proclaimed
gay hip-hop artist from Kentucky and rich
girl Osasami (Bethany Pagliolo) who at first
goes along for the ride but then falls for
Miguel.
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They
meet the new priest Father Francis (
Pierson Blaetz ) who doesn’t turn
them in to the police. It’s not
from the goodness of his heart. Father
Francis has his own set of problems.
He recently returned to the states after
an emotionally draining excursion from
Africa . He tries to leave the horrors
that he witnessed behind but Angelo
won’t allow it. He keeps Francis
from falling apart just enough to continue
with his personal agenda.
Soon
after Hercules’ aerial escape,
miracles happen. The characters, who
looked like they had nothing in common
earlier in the play, soon come together.
And of course, there’s a song
for every adventure leading up to that
point.
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As
expected, some of the musical numbers are
a bit clichéd wrapped in saccharine.
However, there are a few standouts. Prison
is Big Business is one of the livelier numbers.
A group of inmates comment on how lucrative,
for society anyways, their work is in prison.
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The
funny but cuts to-core number happens
when the warden ( Pat Satcher ) gives
Hercules gruesome details on what to
expect from his Lethal Injection. The
lyrical genius wordsmith MC In-Q delivers
the most poignant and candid rhymes
during his character’s turn on
the microphone. In quick successions,
he condemns the degradation of women
in hip-hop, denounces other MCs who
praise material possessions instead
of their self worth and eloquently spits
out how his sexual orientation and being
Caucasian makes him an easy target for
society to shoot down.
Hercules
on Normandie is a collage of many genres
without sticking to one that fits. It’s
an inspirational soap opera with young
adult angst and a political scheme set
to music. Too many components dilute
this original production and take away
from its true focus though. In all this
clutter however, a positive message
of redemption and forgiveness comes
through.
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Hercules
on Normandie plays at the Greenway Court Theatre
,544 N. Fairfax Ave. ,Los Angeles , Thu -
Sat at 8 p.m. until Sat, July 29. For information
call (323) 655- 7679 ext. 100 or visit www.herculesonnormandie.com
CLICK
TO RETURN TO IN-Q ACTING PAGE
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